Document Type

Book Review

Publication Date

2003

Publication Title

Gender, Place & Culture: A Journal of Feminist Geography

Volume

10

Issue

4

First Page

383

Last Page

385

Abstract

The American ‘Dust Bowl’ landscape of the 1930s has been etched into the global imagination through powerful narratives: Farm Security Administration photography (1935–43), Per Loretz’s film, The Plow that Broke the Plains (1936), and John Steinbeck’s Grapes of Wrath (1939). In the last quarter of the twentieth century, historians such as Donald Worster (1979) have constructed their own narratives of this time and place. Caroline Henderson’s Letters from the Dust Bowl, edited by Alvin O. Turner, provides a counterpoint, in the form of a first-hand account and a woman’s voice, to the news stories, government propaganda, and historians’ analyses that construct our understanding of the Dust Bowl. Henderson’s letters reveal not only the ‘real’ experience of living in that place during a particularly difficult time, but also the ‘before’ and ‘after’–what led these individuals to the Great Plains and what became of them afterward.

Comments

This is an Accepted Manuscript of an article published by Taylor & Francis in Gender, Place & Culture: A Journal of Feminist Geography in 2003, available online: http://www.tandfonline.com/doi/abs/10.1080/0966369032000153340.

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