IntroductionThis issue includes not only our usual variety of scholarly articles and film reviews, but also film reviews from the Sundance and Slamdance film festivals, as well as reports from the Sundance London film festival and the UNO Native film festival. Please enjoy all the fine reflections within these essays and reviews.
“Love, What Have You Done to Me?” Eros and agape in Alfred Hitchcock's I Confess
Catherine M. O'Brien
The Virgin Mary on Screen: Mater Dei or Just a Mother in Guido Chiesa’s Io Sono con Te (I Am with You)
Timothy J. Johnson and Barbara Ottaviani-Jones
Scoring Transcendence: Contemporary Film Music as Religious Experience
Brandon A. Konecny