Document Type

Article

Publication Date

2015

Publication Title

ImageTexT: Interdisciplinary Comics Studies

Volume

8

Issue

2

Abstract

Grant Morrison is a key figure among the first wave of authors of the so-called "British Generation" (Sandifer and Eklund). The works of the other two creators, Neil Gaiman and Alan Moore, have been the basis for a wealth of scholarly research within the field of comics studies and whole constellations of literary scholarship (Sandifer and Eklund; Sanders; Krueger and Shaeffer; Millidge). Morrison's fictional worlds, however, remain understudied, despite the fact that, as Marc Singer observes, Morrison's work and career seem to be evenly distributed along a continuum ranging from the alternative Vertigo material to the mainstream superhero comics (Singer 10-30). Furthermore, what should be of interest to comics scholars is the peculiar character of Morrison's method, which seems to lie in his unique approach to the creative process. A chaos magician, shrewd comic entrepreneur, self-proclaimed geek and a closet workaholic, Morrison has always juggled several projects at once, often transferring ideas and concepts across series as a result, using subtle references to Borges and Calvino together with obscure mentions of silver age characters of DC comics, as for instance Buddy Baker/Animal Man (Callahan; Shapira). Since Morrison has spread his intense commitment to artistic production over a vast continuum of work, the net result is that the boundaries between "mainstream" and "alternative" productions have become thin.

Comments

© 2015 Francesco-Alessio Ursini, Adnan Mahmutovic and Frank Bramlett (all rights reserved). This essay is the intellectual property of the author and cannot be printed or distributed without the author's express written permission other than excerpts for purposes consistent with Fair Use. The layout and design of this article is licensed under a Creative Commons License to ImageTexT; note that this applies only to the design of this page and not to the content itself.

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