Date of Award
5-1-1989
Document Type
Thesis
Degree Name
Master of Music (MMUS)
Department
Music
Abstract
The purpose of this research is to apply the analytical technique of A Generative Theory of Tonal Music, by Fred Lerdahl and Ray Jackendoff, to Olivier Messiaen's L'Ascension Suite Movement I (1934) for Organ. Application of this technique will test the working hypothesis of "Do these out-of-Phase gestures work efficiently in a conventional meter setting?"
Recommended Citation
Aipperspach, Anthony, "Rhythmic Out-of-Phasedress in Olivier Messiaen's "L'Ascension Suite", Movement I" (1989). Student Work. 2850.
https://digitalcommons.unomaha.edu/studentwork/2850
Comments
A Thesis Project Presented to the Department of Music and the Faculty of the Graduate College University of Nebraska In Partial Fulfillment of the Requirements for the Degree Master of Music (MMUS) University of Nebraska at Omaha. Copyright 1989 Anthony Aipperspach.