Document Type

Article

Publication Date

2013

Publication Title

New Directions in Folklore

Volume

11

Issue

2

First Page

68

Last Page

83

Abstract

This essay reads the photographer Nikki S Lee’s Projects, a series of pictures in which the artist poses as a member of various subcultures and folk groups from an ethnographic perspective. Focusing on how folklore scholars might employ Lee’s representational strategies, the essay suggests that two aspects of Projects are especially instructive for folkloristic ethnography. First, Lee’s use of drag as camp highlights the performative aspects of identity, showing how individuals express themselves both through and against shared expressive standards. Second, the serialized presentation of the photographs provides a model for the ethnographic representation of multiple folk identities performed by individuals who belong to a variety of folk groups. In these ways, Lee’s Projects can assist folklorists looking to represent the fugitive aspects of folk identity that resist or are resisted by folk processes, those individual aspects of folk performances which the folk and their folklore cannot efface.

Comments

This article was reused with permission from the journal (https://scholarworks.iu.edu/journals/index.php/ndif/index).

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