Document Type

Article

Publication Date

2019

Publication Title

Journal of Latino/Latin American Studies

Volume

10

Issue

1

First Page

128

Last Page

159

Abstract

Against neoliberal economics and the fatal march of globalization in the late 1990s, young people worldwide began to organize ways of fighting and resistance to the contradictions created by the state of exception policies and losses of civil and labour around the world. In tactical terms, these young people have created alternative vehicles for information and were benefited by the internet as debate and mobilization tool. This new form of combat and instrument of art meant the emergence of artistic collectives. These groups of artists or collectives, in addition to the criticism of art production as individualized production, went beyond to the traditional metier of the visual arts and denied the traditional definition of status of the visual arts to become combative agents on the political and cultural level.

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