Journal of Religion & Film Announcements
Call for Papers: 17th Annual Biennial Conference for the International Society for Religion, Literature, and Culture.
University of Leuven, Belgium, 18-20 September, 2014.
Call for Papers (deadline for all proposals: 30 April 2014)
In 2014 we remember the beginning of the Great War, emblematic of the catastrophes that scattered every humanist illusion in the twentieth century. Our conference will take up the challenge of retrieving a sense of humanity. Re-Imagining Human wants to invite every participant to rethink the meaning of whatever ‘human’ might be. The omission of the definite article means exactly this: no ‘the’, no definition, no containment.
Contemporary culture and theory seem to be moving in two directions. One response is an embrace of the human condition as radical finitude and vulnerability. In literature and the arts, this finds expression, for example, in new forms of requiem and vanitas motifs. A multitude of voices from gender theory, post-colonialism, trauma studies, disability studies and theological anthropology are critical of the Modern view of ‘human’ for its denial of corporality, materiality and historicity, which are markers of human frailty and mortality.
A second trend aims at transcending our human limits. Both “high literature” (e.g., C.S. Lewis, Michel Tournier, David Mitchell, etc.) and popular culture (films, graphic novels, etc.) are crowded with golems, zombies, cyborgs, vampires, and other sub-human or super-human creatures. This imagination resonates partly with bio-medical dreams of a post-humanist future. Will technology realize ancient religious visions of human perfection? Or is it feeding phantasms that endanger our very being? Another challenge is the emergence of disciplines like genomics, neuroscience and evolutionary psychology: will the human mystery finally be deciphered?
Both the recognition of vulnerability and the search for transcendence are often motivated by a commitment to the humane. Re-imagining human, between the defective and the heroic (or in German, Mängelwesen and Übermensch), provokes key terms of religious anthropologies – creation and fall, contingency and the absolute, kenosis and resurrection, sin and redemption, damnation and grace, etc.
Proposals for short papers (presentations of 20 minutes, followed by 10 minutes of interaction) are welcome for each of the panels listed below. For further information concerning any particular panel, please contact the panel convenor mentioned in the particular subsection.
The deadline for submission of abstracts for any of the panels is 30 April 2014.
For more information, see the International Society for Religion, Literature, and Culture's website.
Music and the Moving Image IX Conference
at NYU Steinhardt
May 30, 2014 - June 1, 2014
CALL FOR PAPERS
The annual conference, Music and the Moving Image, encourages submissions from scholars and practitioners that explore the relationship between music, sound, and the entire universe of moving images (film, television, video games, iPod, computer, and interactive performances) through paper presentations.
This year’s conference will include a keynote speech by the film orchestrator Patrick Russ (King Kong, Far From Heaven) and we invite abstracts that focus on the role and function of orchestration. The Program Committee includes Patrick Russ, Elisabeth Weis (Film Sound: Theory and Practice, The Silent Scream: Alfred Hitchcock's Sound Track), Philip Carli (Synergy in America's Early Talking Machine Industry and original orchestral scores for Captain Salvation [1925; Turner, 2005], Stella Maris [1918; Milestone, 1998]), and coeditors of Music and the Moving Image, Gillian B. Anderson (Haexan; Pandora’s Box; Composing for the Cinema, Music for Silent Film 1892-1929: A Guide); and NYU faculty, Ron Sadoff (The Moon and the Son: An Imagined Conversation; Chuck Jones: Memories of Childhood). The conference will run a few days before the NYU/ASCAP Film Scoring Workshop in Memory of Buddy Baker (June 4 – 13, 2014).
MaMI Conference website: http://steinhardt.nyu.edu/music/scoring/conference/
Abstracts or synopses of papers (250 words) should be submitted to: by no later than Dec. 16, 2013.
E-mail for more information.