Abstract
Recognized as a masterpiece of French cinema, Robert Bresson's Diary of a Country Priest (1951) dramatizes a young priest's encounters with grace during the months he spends in his first parish in the rural village of Ambricourt. During this time, the priest keeps a journal in which he records both the outer events of his life in Ambricourt and his inner experiences of a transcendent reality. The art of this film lies in its dramatization of these mystical experiences, making viewing the film a spiritual experience for many viewers.
Recommended Citation
Avila, Wanda E.
(2006)
"Diary of a Country Priest: The Transcendent on Film,"
Journal of Religion & Film: Vol. 10:
Iss.
2, Article 1.
DOI: https://doi.org/10.32873/uno.dc.jrf.10.02.01
Available at:
https://digitalcommons.unomaha.edu/jrf/vol10/iss2/1
Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 License.
VolNum
10