Abstract
The possibility of nuclear destruction in the modern world has created a secular eschatology which, unlike religious eschatologies, creates nihilism and apathy rather than ultimate meaning. The Japanese film Dreams, by Akira Kurosawa, depicts this secularized eschatology as well as a counter-apocalyptic utopia. However, Kurosawa does not merely repeat the Western visions of nuclear apocalypse, but uses Japanese folk religion as a lens through which this apocalypse can be viewed. By doing so, Kurosawa creates a specifically Eastern response to nuclear destruction: a “religious secular” eschatology. Despite its lack of critical success, Dreams provides a valuable alternative for Western theologians in a nuclear age.
Recommended Citation
Heinzekehr, Justin
(2012)
"The Reenchantment of Eschatology: Religious Secular Apocalypse in Akira Kurosawa’s Dreams,"
Journal of Religion & Film: Vol. 16:
Iss.
2, Article 3.
DOI: https://doi.org/10.32873/uno.dc.jrf.16.02.03
Available at:
https://digitalcommons.unomaha.edu/jrf/vol16/iss2/3
Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 License.
VolNum
16
Included in
History of Religions of Eastern Origins Commons, Religious Thought, Theology and Philosophy of Religion Commons