Abstract
Leo McCarey has received little attention from film scholars. His sentimentalizing his Catholic background and his preoccupation with anti-Communism obscured the lasting value of much of his work. His concern with sin and forgiveness form a major motif of his works, from the early comedies to his later serious dramas.
Recommended Citation
Blake, Richard A. S.J.
(2013)
"The Sins of Leo McCarey,"
Journal of Religion & Film: Vol. 17:
Iss.
1, Article 38.
DOI: https://doi.org10.32873/uno.dc.jrf.17.01.38
Available at:
https://digitalcommons.unomaha.edu/jrf/vol17/iss1/38
Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 License.
VolNum
17
