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Abstract

Mel Gibson claimed that The Passion of the Christ (2004) was faithful to the gospels and that the gospels were faithful to history, a claim subsequently challenged and debated by many. This article seeks to examine Gibson's claim in light of his decision to edit and re-release the movie as The Passion Re-Cut, arguing that, ironically, he is in fact doing precisely what the gospels writers did in the first century: adapting the story of Jesus and retelling it to a different audience. Further, by exploring the changes Gibson has made to the movie, and the new audience for whom he is writing, I hope to discover something of his purpose as "gospel” writer and redactor.

Creative Commons License

Creative Commons Attribution 4.0 License
This work is licensed under a Creative Commons Attribution 4.0 License.

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