Abstract
Contemporary film-makers quite willingly employ motifs typical of various gnostic trends. The author shows that ancient gnosticism is a treasury of motifs and a source of aesthetical and narrative strategies present in contemporary cinema. The article treats Jacob’s Ladder (1990, dir. Adrian Lyne) which is analyzed through Gnostic beliefs. In the author’s opinion, this film can be treated as a model where the gnostic thought has been presented in a coherent and systematic manner.
Recommended Citation
Kwiatkowski, Fryderyk
(2015)
"Climbing a ladder to heaven. Gnostic vision of the world in Jacob's Ladder (1990),"
Journal of Religion & Film: Vol. 19:
Iss.
2, Article 7.
DOI: https://doi.org/10.32873/uno.dc.jrf.19.02.07
Available at:
https://digitalcommons.unomaha.edu/jrf/vol19/iss2/7
Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 License.
Archon2.jpg (354 kB)
Chiropractic treatment in the light of gnosis.jpg (315 kB)
Jezebel as an archon.jpg (318 kB)
Louis is releasing Jacob from the archons in hospital.jpg (405 kB)
Secret agents (archons) kidnapping Jacob.jpg (382 kB)
Jacob after obtaining gnosis - the important usage of lightning.jpg (360 kB)
VolNum
19
Included in
History of Religions of Eastern Origins Commons, History of Religions of Western Origin Commons, New Religious Movements Commons, Other Philosophy Commons, Other Religion Commons, Visual Studies Commons
