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Abstract

This article proposes an interpretative study of Daren Aronofsky and Ari Handel's film Noah (2014). Our main assertion is that the film attempts to present a contemporary interpretation of the biblical flood story by incorporating values and urgent issues of the 21st century Western society, such as environmentalism, fundamentalism and eco-feminism. The paper details various traditions that serve as inspirations to the filmmakers in the re-telling of the flood myth, and elaborates on the midrashic traditions that were intertwined – or else omitted – in the process of creating the innovative cinematic midrash. It also points to the psychologization of God in the film and its theological implications.

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