April 2022
Articles
Gender, Race, and Religion in an African Enlightenment
Jonathan D. Lyonhart
The Presence and Absence of Animal Sacrifice in Jesus Films
James W. Barker and Daniel C. Ullucci
The Bible as Relic, Fetish or Talisman in Nollywood Films: A Semiotic Perspective
Floribert Patrick C. Endong
Book Reviews
Indonesian Cinema after the New Order: Going Mainstream
Ahmad Nuril Huda
Religion and Film: Representation, Experience, Meaning
Sérgio Dias Branco
ReFocus: The Films of Paul Schrader
Elijah Siegler
Giving the Devil His Due: Satan and Cinema
Brandon R. Grafius
New Approaches to Islam in Film
Sophia Rose Arjana
Film Reviews
On My Mind
William L. Blizek
Turning Red
Micah Dunwoody
Sundance Film Festival Reviews
Sundance 2022 Introduction
John C. Lyden
After Yang
John C. Lyden
Leonor Will Never Die
John C. Lyden
Nothing Compares
John C. Lyden
The Territory
John C. Lyden
Jihad Rehab
John C. Lyden
Brian and Charles
John C. Lyden
The Mission
John C. Lyden
The Cow Who Sang a Song into the Future
John C. Lyden
Descendant
Sheila J. Nayar
All That Breathes
Sheila J. Nayar
You Won't Be Alone
Sheila J. Nayar
Child of Empire
Sheila J. Nayar
What They've Been Taught
William L. Blizek
Long Line of Ladies
William L. Blizek
Maidenhood
William L. Blizek
Goodbye Jerome!
William L. Blizek
Slamdance Film Festival Reviews
Introduction to Slamdance 2022
William L. Blizek
Iron Family
William L. Blizek
Forget Me Not
William L. Blizek
Telos or Bust
William L. Blizek
Somebody Take the Wheel
William L. Blizek
Ultrainocencia
William L. Blizek
Oldboy's Apples
William L. Blizek
A Table Is as Good as Nine Lives
William L. Blizek
Walls Cannot Keep Us from Flying
William L. Blizek
Maharaja's Children
William L. Blizek
In the Jam Jar
William L. Blizek
Return of the Action Man
William L. Blizek
Be Right Back
John C. Lyden
Killing the Eunuch KHAN
Sheila J. Nayar
Interview with Natasha Ofili
Monica Blizek