Abstract
This article considers the ending of Quentin Tarantino's 2019 film Once Upon a Time...in Hollywood in light of Christian eschatology. I argue that Tarantino gives us an image of a temporal, partial eschatological moment, which relates to and interacts with a scriptural, Christian perspective on hope and the universal human longing for things to be other than what they are.
Recommended Citation
Winterstein, Timothy
(2025)
"The Secular Eschatology of Once Upon a Time...In Hollywood,"
Journal of Religion & Film: Vol. 29:
Iss.
2, Article 4.
DOI: https://doi.org/10.32873/uno.dc.jrf.29.02.04
Available at:
https://digitalcommons.unomaha.edu/jrf/vol29/iss2/4
Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 License.
VolNum
29