Author ORCID Identifier
https://orcid.org/0000-0002-5937-4950
Abstract
This article offers an analogical reading of the biblical book of Ruth and Joshua Marston’s 2004 film Maria Full of Grace, examining how both narratives portray migrant women who form strategic social bonds to navigate precariousness within limiting power structures. While Ruth and María inhabit vastly different cultural and historical contexts, their stories meet in their emphasis on female solidarity and human agency. Focusing on key verses from Ruth and pivotal scenes from Maria Full of Grace, this study highlights how emotional and ethical relationships among women—whether covenantal or born of desperation—become sources of strength in the absence of explicit divine intervention. The article argues that both works foreground human initiative and resilience through depictions of chance, choice, and relational ethics, offering an insightful reflection on migration, gender, and the ways storytelling humanizes marginalized characters. By placing Ruth’s idealized loyalty alongside María’s morally complicated choices, this analogical reading illuminates each narrative’s distinct yet overlapping concerns with the struggles of the underprivileged and the relieving potential of women’s bonds.
Recommended Citation
De Angelis Soriano, Luigi
(2025)
"Women’s Bonds and Chance Encounters: An Analogical Reading of the Book of Ruth and Joshua Marston’s Film Maria Full of Grace,"
Journal of Religion & Film: Vol. 29:
Iss.
2, Article 5.
DOI: https://doi.org/10.32873/uno.dc.jrf.29.02.05
Available at:
https://digitalcommons.unomaha.edu/jrf/vol29/iss2/5
Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 License.
VolNum
29
Included in
Biblical Studies Commons, Film and Media Studies Commons, Latin American Languages and Societies Commons