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Abstract

This essay reviews two books: Nadira Khatun, Postcolonial Bollywood and Muslim Identity: Production, Representation, and Reception (Oxford: Oxford University Press, 2024), and Mohammed Asim Siddiqui, Muslim Identity in Hindi Cinema (New York: Routledge, 2025).

Creative Commons License

Creative Commons Attribution 4.0 License
This work is licensed under a Creative Commons Attribution 4.0 License.

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29

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