“Charanga”: Cuban and Classical Flutistry
Presenter Type
UNO Graduate Student (Masters)
Major/Field of Study
Music
Other
Master’s of Music
Advisor Information
Dr. Christine Beard
Location
SPAC RM #105
Presentation Type
Performance
Start Date
22-3-2024 1:00 PM
End Date
22-3-2024 2:15 PM
Abstract
Title: Charanga: Cuban and Classical Flutistry
Personnel:
Presenters: Claire James, University of Nebraska at Omaha
Advisors: Dr. Christine Beard
Abstract:
The purpose of this lecture recital is to explore and perform “Charanga” (1993) composed for solo flute by Michael Colquhoun. The piece is named after dance music ensembles called “charangas,” an ensemble of Cuban origin with roots in the ballroom dance form, danzón. Danzón encompasses many forms of dance and is an essential part of Cuban cultural identity, marked especially by Cuban flute playing. These dances reached a height of popularity during the early 20th century. This lecture recital will discuss the history and cultural influences of Cuban dance music, the instruments commonly found in a charanga —specifically, the five-key wooden flute — and flutists that shaped the development of Cuban dance music. Traditional and modern musical elements found in Michael Colquhoun’s “Charanga” will be showcased and demonstrated, followed by a performance of the piece.
“Charanga”: Cuban and Classical Flutistry
SPAC RM #105
Title: Charanga: Cuban and Classical Flutistry
Personnel:
Presenters: Claire James, University of Nebraska at Omaha
Advisors: Dr. Christine Beard
Abstract:
The purpose of this lecture recital is to explore and perform “Charanga” (1993) composed for solo flute by Michael Colquhoun. The piece is named after dance music ensembles called “charangas,” an ensemble of Cuban origin with roots in the ballroom dance form, danzón. Danzón encompasses many forms of dance and is an essential part of Cuban cultural identity, marked especially by Cuban flute playing. These dances reached a height of popularity during the early 20th century. This lecture recital will discuss the history and cultural influences of Cuban dance music, the instruments commonly found in a charanga —specifically, the five-key wooden flute — and flutists that shaped the development of Cuban dance music. Traditional and modern musical elements found in Michael Colquhoun’s “Charanga” will be showcased and demonstrated, followed by a performance of the piece.
Additional Information (Optional)
Outlet, projector, music stand