Journal of Religion & Film

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Documenting the Ineffable: A Comparative Analysis of Mystical Representation in Kimiavi’s The Garden of Stones and Western Sufi Documentary
Hessam Abedini

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A Metaphorical Passage to God: Simone Weil and Robert Bresson
V. G. Voigt Hogg PhD

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Affirmative Transcendence: The Ethics of Mazu and the Internal Expansion of the Confucian Moral Imagination
Yu Pei

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Piercing the Veil in Sinners: Theological Insights from the Juke Joint
Antonio D. Sison CPPS

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Between Icon and State: Sergei Eisenstein's Ivan the Terrible
Milja Radovic

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Moving On: Purgatorial Seriality and Unanswered Prayer in Lost’s “Ab Aeterno”
Christian Wilken

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Misread Before Being Known: Race, Religion, and Institutional Non-Inquiry in Abrogation
Franklin Livingston

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Making Meaning: Free Will and The Meaning of Life in Barbie
Bertha A. Manninen Ph.D.

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No Place for Us: The Scapegoat Mechanism in the Early Genealogy of the Outlaw Road Movie
Luke Smith

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Nothing Is as It Should Be: Estrangement, Threshold-Crossings, and Cosmic Struggle in David Lynch’s Blue Velvet and Lost Highway
Susanne Wigorts Yngvesson

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Cloud: Between Paris and Tehran: Kiarostami/Corbin/Lacan
Heba Arafa Abdelfattah

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A Poetic History: Islamic and Japanese Parallels in Film
Joshua Polanski

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Shoah: BFI Film Classics
Matthew Page

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Hollywood and the Nazis on the Eve of War: The Case of The Mortal Storm
Rachel Gordan

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What Film Is Good For: On the Values of Spectatorship
Pablo Alzola

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Unidentified
Candace Mixon

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Disclosure Day
Christian Wilken

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Eternity
Leah R. Sisk

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Idda
Sherry Coman

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Man in Motion: The Rick Hansen Story
Sherry Coman

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Closing Night
Sherry Coman

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Ancestors
Sherry Coman

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Darlene Love: I Know Where I’ve Been
Ken Derry