April 2019
Articles
The Representation of Turkish Women in James Bond Films
Kerem Bayraktaroglu Dr
Who is Like God? The Deer Hunter as Angelic Allegory
Nicholas J. Schaser
Touched by Grace? A Look at Grace in Bergman's Winter Light and Martin Luther's Writings
Kjartan Leer-Salvesen
Book Review
Seeing Like the Buddha: Enlightenment through Film
Skyler Osburn
Film Reviews
Blinded by the Light
Amir Hussain
Never Look Away (Werk ohne Autor)
Frederick Ruf
Sundance Film Festival Reviews
Report from the Sundance Film Festival 2019
John C. Lyden
Hail Satan?
John C. Lyden
Them That Follow
John C. Lyden
Sister Aimee
John C. Lyden
Divine Love
John C. Lyden
Dolce Fine Giornata
John C. Lyden
The Farewell
John C. Lyden
Light from Light
Jeanette Reedy Solano
Moonlight Sonata: Deafness in Three Movements
Jeanette Reedy Solano
I Am Mother
Rubina Ramji
The Dispossessed
William L. Blizek
Throat Singing in Kangirsuk
William L. Blizek
Fast Horse
William L. Blizek
As Told to G/D Thyself
William L. Blizek
Fainting Spells
William L. Blizek
Albatross Soup
William L. Blizek
Slamdance Film Festival Reviews
Report from the 2019 Slamdance Film Festival
William L. Blizek
Markie in Milwaukee
William L. Blizek
Boni Bonita
William L. Blizek
Spiral Farm
William L. Blizek
Hierophany
William L. Blizek
Midnight Confession
William L. Blizek
Grosse Auge
William L. Blizek
Dominant Species
William L. Blizek
Prizefighter
William L. Blizek
The Vast of Night
William L. Blizek
History of Love
William L. Blizek
This Teacher
William L. Blizek
Behind the Bullet
William L. Blizek
Enforcement Hours
William L. Blizek